LA Times - Matt Brennan - It concluded with a strange, strained meta-musical, and stumbled through a penultimate season that resembled four shows in one, but “Transparent,” Jill Soloway’s Emmy-winning portrait of a trans woman and her sprawling family, once set TV alight.

Upon its premiere in the fall of 2014, the Amazon dramedy and a handful of other recent titles — “Looking,” “Orange Is the New Black,” “American Horror Story,” “Please Like Me,” “How to Get Away With Murder” — spurred me, then six weeks into my career as a television critic, to pronounce the arrival of the “New Queer Television”: An “explosion of series engaging queer themes” as noteworthy as the movement B. Ruby Rich famously coined the New Queer Cinema.

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